Art Basel Hong Kong 2026

Timothy Taylor is pleased to announce its participation in Art Basel Hong Kong 2026 with a presentation of new and recent paintings, sculptures, and works on paper by a group of international artists. The works on view explore contemporary approaches to abstraction, figuration, and material experimentation across generations.

A major highlight of the booth is Roman Tree 5 (2023) by Alex Katz. The monumental oil on linen exemplifies Katz’s distilled approach to landscape, translating observation into bold planes of colour and light. Concurrent with the fair, the artist’s fourteenth solo exhibition with the gallery is on view in London, underscoring the depth of this longstanding collaboration.

New paintings by James Prapaithong and Aaron Garber-Maikovska introduce distinct approaches to abstraction. Prapaithong’s Curtain Call (2026) explores surface, pattern, and theatrical space through layered oil on canvas; his first solo exhibition with the gallery is currently on view in New York. Garber-Maikovska’s recent work emphasises immediacy and chromatic intensity, foregrounding gesture and the physicality of paint.

Rainbow (2023) by Sahara Longe captures a quiet yet psychologically charged moment through saturated colour and intimate scale, while a painting by George Condo reflects his enduring exploration of portraiture and expressive distortion. DIVAS (2025) by Marina Adams asserts a dynamic interplay of movement and structure.

Material experimentation is explored in Good Afternoon! (Yellow) (2024–26) by Chris Martin, where the artist incorporates aluminium foil and glitter to create a reflective, textured surface. Works by Paul Anthony Smith—including a mirror piece and a hand-applied, silkscreened linen pulp painting (2025)—engage fragmentation and repetition through layered processes.

Sculptural works punctuate the booth, including Kiki Smith’s bronze Tiller (2016), a work that reflects her longstanding engagement with the body and symbolic form. A group of intimate enamel-on-bronze editions by Eddie Martinez—Kazoo, Dancer, and Strange Sound (all 2025)—translate the immediacy of his painted mark into compact, tactile objects, complemented by recent paintings that extend his energetic visual language. The presentation also includes earlier works by Jonathan Lasker and Sean Scully, adding historical depth and underscoring the cross-generational scope of the booth.

Together, the booth reflects the gallery’s continued commitment to artists whose practices expand the possibilities of paint and material.