Figures emerge like ghosts from Antonia Showering’s canvases, their sketchy lines and expressionistic color palette relaying an atmosphere of deeply personal narrative as much as an emotional message, wordless but with universal resonance. Take 2025’s “The Waiting Room” (2025), from her current show, titled In Line, at Timothy Taylor: A woman, resting on a bed in a pool of maroon, has just given birth; her belly appears aglow in a warm yellow as her newborn, outlined in pale purple, rests next to her, umbilical cord still attached.
Figures emerge like ghosts from Antonia Showering’s canvases
Rachel Summer Small, The Spectator World, 9 June 2025