Ding Yi, 1962
Ding Yi has been making abstract paintings using crosses and grids since the late 1980s. The cross, whether a + or an x with thematic variation, is a motif that the artist has declared a formal mark without meaning, in order to emphasise his rationalist approach to painting. The context of Ding’s work has always been the incredibly fast-paced development of the industrial urban environment in post-socialist China, and the work, whether predominantly black, painted on tartan, or elaborated in intense fluorescent colours, all bear the title Appearance of Crosses with a date. Ding’s practice encompasses painting, sculpture, spatial installation and architecture.
Artworks
Appearance of Crosses 2021-5, 2021, Mixed media on basswood
Appearance of Crosses 2021-6, 2021, Mixed media on basswood
Appearance of Crosses 2021-B1, 2021, Acrylic, chalk and pencil on customised rice paper
Appearance of Crosses 2021-B4, 2021, Acrylic, chalk and pencil on customised rice paper
Appearance of Crosses 2021-8, 2021, Acrylic and woodcuts on basswood
Appearance of Crosses 2016-6, 2016, Mixed media on basswood
Exhibitions
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Ding Yi, 1962
Ding Yi has been making abstract paintings using crosses and grids since the late 1980s. The cross, whether a + or an x with thematic variation, is a motif that the artist has declared a formal mark without meaning, in order to emphasise his rationalist approach to painting. The context of Ding’s work has always been the incredibly fast-paced development of the industrial urban environment in post-socialist China, and the work, whether predominantly black, painted on tartan, or elaborated in intense fluorescent colours, all bear the title Appearance of Crosses with a date. Ding’s practice encompasses painting, sculpture, spatial installation and architecture.
Ding Yi’s work is held in private and public collections internationally including the Centre Pompidou, Paris; Daimler Art Collection, Berlin; DSL Collection, Paris; Leeum, Samsung Museum of Art, Seoul; Long Museum, Shanghai; M+, Hong Kong; and Yuz Museum in Shanghai.
Recent solo exhibitions for the artist include Ding Yi: Highlight, Galerie Karsten Greve, Paris (2021); Ding Yi: Lightscapes, Timothy Taylor, New York, NY, USA (2021); Ding Yi: The Cross Style, Long Museum, Chongqing (2020); Ding Yi: Recent Works, Timothy Taylor, London, UK (2019); Ding Yi with ShanghART, Various Others Gallery Weekend, Berlin, Germany (2019); Grids, Galerie Karsten Greve, Paris, France (2019); Interchange, ShanghART, Shanghai, China (2018); 十×30 Years — Ding Yi's Works, Guangdong Museum of Art, Guangzhou, China (2018); Appearance of Crosses, Timothy Taylor, New York, NY, USA (2017); Appearance of Crosses: A Chronicle, Xi'an Art Museum, Xi'an, China (2017); Ding Yi, Timothy Taylor, London, UK (2017); Re-Appearance of Crosses, a retrospective at the Hubei Museum of Art in Wuhan, China (23 April – 2 June, 2016), and participation in Art Basel Unlimited (16 June – 19 June, 2016).
Biography
| 1962 | Born in Shanghai, China |
| 1983 | Graduates from Shanghai Arts & Crafts Institute, China |
| 1990 | Graduates from Shanghai University, Fine Arts Department |
| 2005 | Works at Shanghai Institute of Visual Art, as professor, currently vice dean of Fine Art Department |
Selected Solo Exhibitions
| Ding Yi in Tibet: Multi-Verse, Tibet, China | |
| 2022 | Anomalous Galaxies: Ding Yi, Galeria RGR, Mexico City, Mexico |
| Ding Yi: Stars Crossed, ShanghART Singapore, Singapore | |
| 2021 | Ding Yi: Highlight, Galerie Karsten Greve, Paris, France |
| Ding Yi: Lightscapes, Timothy Taylor, New York, NY, USA | |
| 2020-2021 | Ding Yi: The Cross Style, Long Museum, Chongqing |
| 2019 | Ding Yi: Recent Works, Timothy Taylor, London, UK |
| Ding Yi with ShanghART, Various Others Gallery Weekend, Berlin, Germany | |
| Grids, Galerie Karsten Greve, Paris, France | |
| 2018 | Interchange, ShanghART, Shanghai, China |
| 十×30 Years — Ding Yi's Works, Guangdong Museum of Art, Guangzhou, China | |
| 2017 | Appearance of Crosses, Timothy Taylor, New York, NY, USA |
| Appearance of Crosses: A Chronicle, Xi'an Art Museum, Xi'an, China | |
| Ding Yi, Timothy Taylor, London, UK | |
| 2016 | Re-Appearance of Crosses, Hubei Museum of Art, Wuhan, Hubei, China |
| 2015 | Ding Yi: What’s Left to Appear, Long Museum (West Bund), Shanghai, China |
| Ivory Black, ShanghART Singapore, Singapore | |
| 2014 | Scintillement, Galerie Karsten Greve, Paris, France |
| 2013 | 2013 Art Changsha, Changsha City Museum, HUnan Province, China |
| 2012 | Appearance of Crosses, Galerie Karsten Greve AG, St. Moritz, Switzerland |
| 2011 | Specific Abstracted, Minsheng Art Museum, Shanghai, China |
| Ding Yi, Appearance of Crosses, Galerie Waldburger, Brussels, Belgium | |
| 2008 | Ding Yi, Recent Works, Galerie Karsten Greve, Cologne, Germany |
| Appearance of Crosses from 1989-2007, Museo d’Arte Moderna di Bologna, Bologna, Italy | |
| 2007 | Ding Yi, Galerie Karsten Greve, Paris, France |
| 2006 | Graticule, Ding Yi’s Works from 1989 to 2006, ShanghART H-Space, Shanghai, China |
| 2005 | Appearance of Crosses, Ikon Gallery, Birmingham, UK |
| 2004 | Crossed Vision, China Art Archive & Warehouse, Beijing, China |
| Small Works, ShanghART Gallery, Shanghai, China | |
| 2003 | Appearance of Crosses, Galerie Urs Meile, Lucerne, Switzerland |
| 2002 | Ding Yi: Appearance of Crosses, Galerie Waldburger, Berlin, Germany |
| 2000 | Ding Yi: Fluorescent Paint on Tartan, China Art Archive & Warehouse, Beijing, China |
| 1998 | Ding Yi: Crosses ‘89-‘97, International Art Palace, Beijing, China |
| 1997 | Ding Yi: Crosses ‘97, Shanghai Art Museum, Shanghai, China |
| 1996 | 15 x Red, New Works on Paper by Ding Yi, ShanghART Gallery, Shanghai, China |
| 1995 | Ding Yi: Opere su Carta, Galleria degli Archi, Comiso, Italy |
| 1994 | Exhibition of Ding Yi’s Abstract Art Works, Shanghai Art Museum, Shanghai, China |
| Ding Yi’s Work on Paper, Guangzhou Fine Art Academy, Guangzhou, China |
Selected Group Exhibitions
| 2021 | City on the Edge: Art and Shanghai at the Turn of the Millennium, UCCA Edge, Shanghai, China |
| Traveling Toward a Perpetual Present, Shanghai Gallery of Art, Shanghai, China | |
| 2020 | Shanghai Waves: Historical Archives and Works of Shanghai Biennale, Power Station of Art, Shanghai, China |
| 2019 | Painting and Existence, Tang Contemporary Art, Hong Kong |
| The Challenging Souls – Yves Klein, Lee Ufan, Ding Yi, Power Station of Art, Shanghai, China | |
| 2018 | VOLEZ VOGUEZ VOYAGEZ, Shanghai Exhibition Center, Shanghai, China |
| From 1978 To 2018: Art History Shaped by 40 Artists, Shanghai Powerlong Museum, Shanghai, China | |
| Ambush on All Sides — Another Kind of Social Vision Intervention, Sichuan Fine Art Institute Art Museum (Tiger City University) , Chongqing, China | |
| White Flash, ShanghART Beijing, Beijing, China | |
| Chinese Spirit: The 4th Chinese Oil Painting Exhibition in Beijing, China Art Museum, Beijing, China | |
| Eternal Painting, Yibo Gallery, Shanghai, China | |
| Turning Point - 40 Years of Chinese Contemporary Art, The Long Museum, Shanghai, China | |
| Art & China after 1989: Theatre of the World, Guggenheim Museum Bilbao, Spain | |
| 2017-2018 | Art and China after 1989: Theater of the World, Guggenheim, New York, NY, USA |
Last Night's Fortune Teller, Daimler Contemporary, Berlin, Germany | |
| 2016 | The Uncertain, or the Shelved..., ShanghART Gallery, Shanghai, China |
New Capital, Huang Yu Collection Exhibition, Museum of Contemporary Art Chengdu, Chengdu, China | |
An Art Banquet, Shanghai Contemporary Artists' Painting and Sculpture Exhibition, Chun Art Museum, Shanghai, China | |
Talking on Paper, Pace Beijing, Beijing, China | |
Sense & Sensibility, 10 Contemporary Artists, ZART Center, Shanghai, China | |
Variationes, 10 Corso Como Gallery - Top Floor, Shanghai, China | |
| 2015 | On Curbstone Jewels and Cobblestones, Daimler Contemporary Berlin, Berlin, Germany |
| Jing Shen, The Act of Painting in Contemporary China, Padiglione D’Arte Contemporanea, Milan, Italy | |
| China 8, Contemporary Art from China at the Rhine and Ruhr, MKM Museum Küppersmühle, Duisburg, German | |
| Artists for Ikon, Ikon 50th Anniversary, Ikon Gallery, Birmingham, UK | |
| Ding Yi & Xu Zhen, Hidden Behind Appearance, Waldburger Wouters, Brussels, Belgium | |
| The Boundaries of Order, Hive Center for Contemporary Art, Beijing, China | |
| Sinthome, Open Show of Richard Taittinger Gallery, Richard Taittinger Gallery, New York, NY, USA | |
| Oltre La Materia, Accademia di Belle Arti Bologna, Bologna, Italy | |
| 2014 | Just as Money is the Paper, the Gallery is the Room, Osage Gallery, Shanghai, China |
| 2014 Wuhan 3rd Documentary Exhibition of Fine Arts: Re-modernization, Hubei Art Museum, Wuhan, China | |
| 1960, Springs Center Art, Beijing, China | |
| The Twelfth National Exhibition of Fine Arts, Exhibition of Experimental Arts, Today Art Museum, Beijing, China | |
| Trace – Shanghai Xintiandi Contemporary Public Art Exhibition, Xintiandi, Shanghai, China | |
| Shanghai Artworks Hong Kong Exhibition, Hong Kong Convention and Exhibition Center, Hong Kong, China | |
| Art of Living - Breaking Down the Wall, Jing An Kerry Center, Shanghai, China | |
| Hans van Dijk: 5000 Names, Ullens Center for Contemporary Art, Beijing, China; Witte de With Center for Contemporary Art, Rotterdam, The Netherlands | |
| Myth/History: Yuz Collection of Contemporary Art, Yuz Museum, Shanghai, China | |
| Oltre La Materia, International Art Exhibition, Mo Space, Zhenzhou, China | |
| Lost Way: Time, Space, Tapestry, Power Station of Art, Shanghai, China | |
| Re-View, Opening Exhibition of Long Museum West Bund, Long Museum (West Bund), Shanghai, China | |
| KÜNSTLERRÄUME | Artists' Spaces, Galerie Karsten Greve, Cologne, Germany | |
| 2013 | Shanghai Art Exhibition in Beijing, The National Art Museum of China, Beijing, China |
| ‘In Wuhan’ 10th Anniversary of Fine Arts Literature Art Center, Fine Arts Literature Art Center, Wuhan, China | |
| Open Books, Artists and the Chinese Folding-Books, Sanshang Art, Hangzhou, China | |
| Filter the Public, Shanghai World Financial Center 5th Anniversary Art Project, Shanghai World Financial Center, Shanghai, China | |
| A New Spring in Ink, Contemporary Space Ink 2013 Beijing, Museum of Contemporary Art Beijing, Beijing, China | |
| Un Nuevo Horizonte, Exposición de Arte Chino Contemporáneo, Conde Duque Center, Madrid, Spain | |
| Shanghai/Paris, China Art Museum, Shanghai, China | |
| Revel, Celebrating MoCA's 8 Years in Shanghai, Museum of Contemporary Art, Shanghai, China | |
| Von Kassel her, Zhangzhou International Public Art Exhibition, Zhangzhou Bihu Eco Park, Zhangzhou, China | |
| Insightful Chrisma, Inaugural Exhibition of Shanghai Himalayas Museum, Himalayas Art Museum, Shanghai, China | |
| Painting III, Elementary and Extreme Structure, Gallery Yang, Beijing, China | |
| Art 500, Halcyon Gallery, Shanghai, China | |
| Shanghai Surprise, A Group Show on Contemporary Art in Shanghai, K11 Art Mall, Shanghai, China | |
| 2012 | The Inaugural Exhibition of Long Museum, Long Museum, Shanghai, China |
| Beyond the Image – Contemporary Abstract Art Exhibition of 10 Artists, University Art Museum of GAFA, Guangzhou, China | |
| Cultural Shanghai – A Return Oriented Towards the Future, Redtown, Shanghai, China | |
| Slow Pace, A Kind of Contemporary Art, Li-Space, Beijing, China | |
| Meet Taipei, Shanghai Oil Painting & Sculpture Exhibition, Taipei Fine Arts Museum, Taipei, China | |
| Pride of City – Shanghai Jing’an International Sculpture Project, Shanghai Jing’an Sculpture Park, Shanghai, China | |
| Great Way Prevailing: Chinese Contemporary Public Art Exhibition, Kassel, Germany | |
| Transformation: A view on Chinese Contemporary Art, Istanbul Museum of Modern Art, Istanbul, Turkey | |
| The Seventh Shenzhen Sculpture Biennale--Accidental Message: Art is Not a System, Not a World, OCT Contemporary Art Terminal, Shenzhen, China | |
| Do A Book, White Space, Beijing, China | |
| ShanghART Group Exhibition, ShanghART Beijing, Beijing, China | |
| ShanghART Group Exhibition, ShanghART Gallery, Shanghai, China | |
| Ai Weiwei, Wang Xingwei and Ding Yi: Persona 3, Chambers Fine Art, New York, NY, USA | |
| 2011 | China Contemporary Print Exhibition, Dongdi Storehouse Art Gallery, Dongguan, China |
| Growing Up, Exhibition celebrating SWFC 3rd & ShanghART Gallery 15th Anniversary, Shanghai World Financial Center, Shanghai, China | |
| Image History Existence – TaiKang Life 15th Anniversary Art Collection Exhibition, National Art Museum of China, Beijing, China | |
| Tao of Nature – 2011 Chinese Abstract Art Exhibition, Museum of Contemporary Art, Shanghai, China | |
| Collecting History – China New Art, Chengdu Museum of Contemporary Art, Chengdu, China | |
| Verso Est – Chinese Architectural Landscape, MAXXI Museo nazionale delle arti del XXI secolo, Rome, Italy | |
| Contemporary Art Exhibition Documentation Project II: “Let’s Talk about Money – 1st International Fax Art Exhibition in Shanghai 1996”, ShanghART Taopu, Shanghai, China | |
| Chinese Abstract Slow Art, Singer Laren Museum, Laren, The Netherlands | |
| Breaking Away, An Abstract Art Exhibition, Boers-Li Gallery, Beijing, China | |
| China Contemporary Prints Exhibition, M Art Center, Shanghai, China | |
| 2010 | One by one, ShanghART Group Show, ShanghART Gallery, Shanghai, China |
| Reshaping History: Chinart from 2000-2009, Special Documenta, China National Convention Center, Beijing, China | |
| The State of Things, Contemporary Art from China and Belgium, National Art Museum of China, Beijing, China | |
| The Burden of Representation, Abstraction in Asia Today, Osage Gallery, Shanghai, China | |
| Beyond The Border, Tangram Art Center, Shanghai, China | |
| Culture of Shanghai, The Artists Concerned by HWAS, HAWS Gallery, Shanghai, China | |
| Coincidence, Don Gallery, Shanghai, China | |
| Thirty Years of Chinese Contemporary Art: Painting (1979-2009), Minsheng Art Museum, Shanghai, China | |
| Exhibition in the sky, Pudong tower advertisement boards, Shanghai, China | |
| Shanghai, Asian Art Museum, San Francisco, CA, USA | |
| Shanghai Modern Exhibition, Gallery Monma Annex, Sapporo, Japan | |
| Chinese Contemporary Art in the Year of the Tiger, Centre Culturel de Rencontre Abbaye de Neumünster, Luxembourg | |
| Photo Exhibition of Contemporary Artists, Today Art Museum, Beijing, China | |
| Chinese Contemporary Artist in Their Twenties, Beijing Angle Modern Art, Beijing, China | |
| 2009 | Footloose, Galerie Waldburger, Brussels, Belgium |
| Collision, Experimental Cases of Contemporary Chinese Art, CAFA Art Museum, Beijing, China | |
| Out of Shanghai, Museum Gegenstandsfreier Kunst, Otterndorf, Germany | |
| History in the Making: Shanghai 1979 – 2009, 436 Jumen Rd., Shanghai, China | |
| Fan Ceremony, Fine Arts Literature Art Centre, Wuhan, China | |
| Opening Exhibition, Hadrien de Montferrand, Beijing, China | |
| Warm Up, Minsheng Art Museum, Shanghai, China | |
| Fan Ceremony, Works on Paper, Yard Gallery, Shanghai, China | |
| Yi Pai – Century Thinking A Contemporary Art Exhibition, Today Art Museum, Beijing, China | |
| Domus Collection, White Space, Beijing, China | |
| Un-natural, A New Discussion on Nature and Chinese Traditions, Beijing Center for the Arts, Beijing, China | |
| ShanghART Group Show, ShanghART Gallery, Shanghai, China | |
| Another scene – artist’s projects, concepts and ideas, ShanghART H-Space, Shanghai, China | |
| Mahjong: Contemporary Chinese Art from the Sigg Collection, Peabody Essex Museum, Salem, MA, USA | |
| Yi – School, 30 Years of Abstract Chinese Art, Wall Art Museum, Beijing, China | |
| 2008 | Hybrid, ShanghART at Huaihai Rd 796, Shanghai, China |
| Five Years of Duolun: Chinese Contemporary Art Retrospective Exhibition, Shanghai Duolun Museum of Modern Art, Shanghai, China | |
| Masters: Exhibition for the 2nd Anniversary of Z-Art Center’s Opening, Z-Art Center, Shanghai, China | |
| It is I Too, Self-Portraits By 21 Chinese Artists, OFOTO Gallery, Shanghai, China | |
| Avant-Garde China: 20 Years of Chinese Contemporary Art, The National Art Center, Tokyo; The National Museum of Art, Osaka; Aichi Prefectural Museum of Art, Nagoya, Japan | |
| Shanghai Academic Culture, Contemporary Art Exhibition by Shanghai, New B Gallery, Shanghai, China | |
| Material Link, A Dialogue Between Greek and Chinese Artists, Museum of Contemporary Art, Shanghai, China | |
| UWANTART: The New Signature in Art, Special Inaugural Exhibition · Volume Two, UWANTART, Shanghai, China | |
| The Tale of Silk: A Hermès Exhibition, Beijing Today Art Museum, Beijing, China | |
| Writing on the Wall, Chinese New Realism and Avant-Garde in the Eighties and Nineties, The Groninger Museum, Groningen, The Netherlands | |
| Red Aside, Contemporary Chinese Art from the Sigg Collection, The Joan Miró Foundation, Barcelona, Spain | |
| Selected, ShanghART H-Space, Shanghai, China | |
| La Escuela Yi, 30 Years of Abstract Chinese Art, La Caixa, Barcelona, Spain | |
| 2007 | The Tale of Silk, A Hermès Exhibition, Shanghai Art Museum, Shanghai, China |
| 85 New Wave – The Birth of Chinese Contemporary Art, Ullens Center for Contemporary Art, Beijing, China | |
| Rejected Collection, Ke Center for Contemporary Arts, Shanghai, China | |
| Individual Positions 1, ShanghART Gallery, Shanghai, China | |
| Strategy on Paper, Works on Paper Invitational Exhibition, Square Gallery of Contemporary Art, Nanjing, China | |
| Harmony and Difference, East China Contemporary Sculpture Invitational Exhibition, Art Space of Fine Art College from Shanghai University, Shanghai, China | |
| Shanghai Attitude, Invitation Exhibition of Contemporary Art in Shanghai, Makii Stainless Co., Ltd., Shanghai, China | |
| 2006 | Z-Art Center Opening Exhibition, Z-Art Center, Shanghai, China |
| Art in Motion, Museum of Contemporary Art, Shanghai, China | |
| Entry Gate: Chinese Aesthetics of Heterogeneity, Museum of Contemporary Art, Shanghai, China | |
| 6th Shanghai Biennale – Hyper Design, Shanghai Art Museum, Shanghai, China | |
| Witness, Blue Dreamland Gallery, Chengdu, China | |
| Shanghai Academic Culture, Contemporary Art Exhibition by Shanghai Universities’ Teachers, Shanghai Art Museum, Shanghai, China | |
| Mahjong: Contemporary Chinese Art from the Sigg Collection, Hamburger Kunsthalle, Hamburg, Germany | |
| In the Name of Material, Hss Art Centre, Shanghai, China | |
| Transform, Artist Created by Their Works, Jing Art Gallery, Shanghai, China | |
| Works on paper, Xuhui Art Museum, Shanghai, China | |
| The Blossoming of Realism, The Oil Painting of Mainland China Since 1978, Taipei Fine Arts Museum, Taipei, China | |
| Contemporary Chinese Art, Galerie Karsten Greve, Cologne, Germany | |
| Contemporary China, PKM Gallery, Seoul, Korea | |
| 2005 | Born in China, Goedhuis Contemporary, London, UK |
| Alien Illusion, Shanghai Art Museum, Shanghai, China | |
| Cina: Prospettive d' Arte Contemporanea, Spazio Oberdan, Milan, Italy | |
| Mahjong, Contemporary Chinese Art from the Sigg Collection, Kunstmuseum Bern, Bern, Switzerland | |
| In Their 40’s, ShanghART H-Space, Shanghai, China | |
| Shenzhen Art Biennale, OCT Contempory Art Terminal, Shenzhen, China | |
| Pictorial DNA Made in China, Galerie Urs Meile, Lucerne, Switzerland | |
| Art & Issue, China-Korea Art Exchange Exhibition, Soca Gallery, Beijing, China | |
| Reveal, Shanghai Artdeco, Shanghai, China | |
| Study Practice, Shanghai Gallery of Art, Shanghai, China | |
| 2004 | New Boundaries, Taikang Top Space, Beijing, China |
| Dreaming of the Dragon’s Nation, Contemporary Art from China, Irish Museum of Modern Art, Dublin, Ireland | |
| Shanghai Modern, Museum Villa Stuck, Munich, Germany | |
| Dial 62761232 (Express Delivery Exhibition), Contemporary Art Exhibition, BizArt, Shanghai, China | |
| Persona, Ai Weiwei, Ding Yi, Wang Xingwei, China Art Archive & Warehouse, Beijing, China | |
| 2003 | Prayer Beads and Brush Strokes, Beijing Tokyo Art Projects, Beijing, China |
| Open Sky, Grand Opening of Shanghai Duolun Museum of Modern Art, Duolun Museum of Modern Art, Shanghai, China | |
| Chinese Maximalism, Millennium Art Museum, Beijing; University of Buffalo Art Galleries and Museum Studies, State University of New York, Buffalo, NY, USA | |
| Take a Seat, Artsea Studio & Gallery, Shanghai, China | |
| Subversion and Poetry, Contemporary Chinese Art, Culturgest, Lisbon, Portugal | |
| An Opening Era, National Art Museum of China, Beijing, China | |
| Junction – Chinese Contemporary Architecture of Art, Lianyang Architecture Art Museum, Shanghai, China | |
| Different Choice, The Invited Exhibition of the Shanghai 60’s Artists, Bandao Gallery, Shanghai, China | |
| 2002 | Metaphysics 2002, Shanghai Art Museum, Shanghai, China |
| The First Guangzhou Trienniale - Reinterpretation: A Decade of Experimental Chinese Art (1990 - 2000), Guangdong Museum of Art, Guangzhou, China | |
| Quick Look!, Shanghai Zhejiang Jiangsu Anhui Contemporary Art Exhibition, Consulate General of Switzerland, Shanghai, China | |
| Two Abstract Artists in Shanghai, Ding Yi – Shen Fan, ShanghART Gallery, Shanghai, China | |
| Golden Harvest, Museum of Contemporary Art, Zagreb, Croatia | |
| Crossing Cultures, Elementarteilchenkunst, Kunsthaus Muerz, Styria, Austria | |
| Ost + West, Kuenstlerhaus, Vienna, Austria | |
| Paris-Pekin, Chinese Contemporary Art Exhibition, Espace Pierre Cardin, Paris, France | |
| 24:30 Contemporary Art Exhibition, Bizart, Shanghai, China | |
| 2001 | Gallery Opening, Goedhuis Contemporary, New York, NY, USA |
| Living in Time, 29 Contemporary Artists from China, Hamburger Bahnhof-Museum für Gegenwart, Berlin, Germany | |
| China Art Archives & Warehouse Opening Exhibition, China Art Archives & Warehouse, Beijing, China | |
| The 1st Chengdu Biennal, Chengdu Modern Art Museum, Chengdu, China | |
| Ornament & Abstraction, Fondation Beyeler, Basel, Switzerland | |
| Towards a New Image, Twenty Years of Chinese Contemporary Painting, The National Art Museum of China, Beijing; Shanghai Art Museum, Shanghai; Guangdong Art Museum, Guangzhou; Sichuan Modern Art Museum, Chengdu, China | |
| As long as They Catch Mice..., Munkeruphus Gallery, Mumkerphus, Denmark | |
| Yokohama 2001: International Triennale of Contemporary Art, Yokohama, Japan | |
| 2000 | Chinese Muren--Chinese Walls, Nederlands Gasunie, Groningen, The Netherlands |
| 2000 China-Korea-Japan Contemporary Art Exhibition, Changning Culture and Art Centre, Shanghai, China | |
| Looking out / Looking in, Art Show 2, Residential College Art Gallery, University of Michigan, MI, USA | |
| Uncooperative Approach (Fuck Off), Eastlink Gallery, Shanghai, China | |
| 1999 | Open Channels, The First Collecting Exhibition of Dong Yu Museum of Fine Arts, Dong Yu Museum, Shenyang, China |
| Concepts, Color and Passions, China Art Archives & Warehouse, Beijing, China | |
| Collecting Exhibition, Modern Chinese Art Foundation, Caermersklooster, Belgium | |
| Looking Out / Looking In – Shanghai Contemporary Art Exhibition, Plug In Contemporary Art Centre, Winnipeg, Canada | |
| BM99, Bienal da Maya, Maya Art Center, Portugal | |
| 1998 | Every Day, 11th Biennale of Sydney, Museum of Contemporary Art, Sydney, Australia |
| Mondrian in China, Art Gallery of Beijing International Palace, Beijing; Shanghai Library, Shanghai; Guangdong Museum of Art, Gangzhou, China | |
| Jiang Nan, Chinese Contemporary Art, Charles H. Scott Gallery, Vancouver, Canada | |
| 1997 | The Chinese Roots, Shanghai Art Museum, Shanghai, China |
| New Art Work from China, Flanders Contemporary Art, Minnesota, MN, USA | |
| The Collection of Shanghai Art Museum, Inchon New World Art Museum, Inchon, Korea | |
| Quotation Marks, Chinese Contemporary Paintings, National Art Museum, Singapore | |
| In Between Limits, An Aspect of Chinese Contemporary Art, Sonje Museum of Contemporary Art, Gyeongju, Korea | |
| A Point of Contact, Korean Chinese Japanese Contemporary Art, Taegu Art and Culture Hall, Taegu, Korea | |
| Works by Shanghai Artists, Art Association Exhibition Hall, St. Petersburg, Russia | |
| China!, Artist’s House, Vienna, Austria; Zacheta Art Museum, Warsaw, Poland; Haus der Kulturen der Welt, Berlin, Germany | |
| Contemporary Art Invitational Exhibition, Changning District Cultural Centre, Shanghai, China | |
| Chinese Abstraction, Gallery Ursula Krinzing, Vienna, Austria | |
| Handover exhibition, Hong Kong Exhibition Centre, Hong Kong, China | |
| 1996 | Shanghai Fax: Let’s Talk About Money, International Fax Art Exhibition, Shanghai Huashan Professional School of Art Gallery, Shanghai, China |
| Shanghai Abstract Art, ShanghART Gallery, Shanghai, China | |
| Canton, Shanghai, Beijing, Central Art Academy, Beijing, China | |
| The First China Oil Painting Society Exhibition, China Art Museum, Beijing, China | |
| 1st Shanghai Biennale, Shanghai Art Museum, Shanghai, China | |
| China!, Kunstmuseum Bonn, Bonn, Germany | |
| In China Part II, World Trade Centre, Bremen, Germany | |
| Direct d’ART – Salon International d’Art Contemporain, Nice, France | |
| Chinese Abstraction, Michael Wardell Gallery, Melbourne, Australia | |
| 1995 | Des Pais del Centre, Avantguardes Artistiques Xineses, Santa Monica Art Centre, Barcelona, Spain |
| New Chinese Art: 1990-1994, Vancouver Gallery of Art, Vancouver, Canda; Art Centre, Chicago, USA | |
| Change, China Contemporary Art, Kunsthalle Goetaplatsen, Goeteborg, Sweden | |
| Aura Aurea, Chiostri Benedettini, Reggio Emilia, Italy | |
| Chinese Contemporary Art, Goethe Institute, Beijing, China | |
| Shanghai Abstract Art, ShanghART Gallery, Shanghai, China | |
| Making their Mark, Works on paper, Meridian Gallery, Melbourne, Australia | |
| 1994 | Abstract Works by Six Artists, Hanart TZ Gallery, Hong Kong, China |
| In China, Gallery Carol Johnssen, Munich, Germany | |
| 1993 | 45th International Art Exhibition Venice Biennale: Cardinal Points of the Arts, Venice, Italy |
| Post ‘89 Chinese Modern Art, Hong Kong Arts Centre, Hong Kong, China | |
| The First Asia-Pacific Triennial of Contemporary Art, Queensland Art Gallery, Brisbane, Australia | |
| Mao Goes Pop, China Post ‘89, Museum of Contemporary Art, Sydney; Victoria National Gallery, Melbourne, Australia | |
| China Avant-garde, Haus der Kulturen der Welt, Berlin; Kunsthall, Rotterdam, The Netherlands; Brandts Klaederfabrik, Odense, Denmark; Hildesheim Art Gallery, Hildesheim, Germany; Museum of Modern Art, Oxford, UK | |
| 1992 | Documentary Exhibition of Chinese Art of the 90’s, K Gallery, Tokyo, Japan |
| 1991 | Documentary Exhibition of China Art Research, Beijing, Nanjing; Chongqing; Dongbei Area, China |
| Shanghai Modern Art, Yokohama Museum of Art, Yokohama, Japan | |
| 1989 | China/Avant-Garde Art Exhibition, National Art Museum of China, Beijing, China |
| 1988 | Exhibition of Today’s Art, Shanghai Art Museum, Shanghai, China |
| 1986 | 1st Shanghai Youth Grand Fine Arts Exhibition, Shanghai Artist’s Gallery, Shanghai, China |
| First Shanghai Concave-Convex Exhibition, Xuhui Cultural Centre, Shanghai, China | |
| Inauguration Exhibition of the Shanghai Art Museum, Shanghai Art Museum, Shanghai, China | |
| 1985 | Exhibition of Modern Art by Six Artists, Fudan University, Shanghai, China |
Selected Awards, Prizes, Grants and Honours
| 2011 | Silver Award of Shanghai Design Exhibition |
| 2001 | Artist in Residence, Kuenstlerhauser Worpswede, Germany |
Selected Public and Private Collections
| Centre Pompidou, Paris, France |
| Daimler Art Collection, Berlin, Germany |
| Fosun Foundation, New York, NY, USA |
| Fukuoka Asian Art Museum, Fukuoka, Japan |
| HAUDENSCHILD Collection, CA, USA |
| Leeum, Samsung Museum of Art, Seoul, Korea |
| DSL Collection, Beijing, China |
| Long Museum, Shanghai, China |
| Shanghai Art Museum, Shanghai, China |
| Uli Sigg Collection, Switzerland |
| Yuz Foundation, Jakarta, Indonesia |
Selected Publications
| 2019 | Lin, J., Above Sea: Contemporary Art, Urban Culture, and the Fashioning of Global Shanghai, Manchester University Press |
| Power Station of Art, The Challenge of Infinite -- Yves Klein, Lee Ufan, Ding Yi, Shanghai Literature and Art Publishing House | |
| 2018 | Guohua, L., Yalei, W., Songyin, G., Zhihua, Q., Peng, L., Chinese Art History: From 1978 to 2018, Shanghai Painting and Calligraphy Publishing House |
| Brouwer, M., Saelemakers, S., Hans van Dijk / Dai Hanzhi | A Life with Art in China 1986-2002, UCCA & Witte de With Publishers | |
| Boudehen, C., Temman, M., Shanghai - Louis Vuitton City Guide (English version), Louis Vuitton | |
| Boudehen, C., Temman, M., Shanghai - Louis Vuitton City Guide (Chinese version), Louis Vuitton | |
| 2018 Art Shenzhen, Art Shenzhen Organisation | |
| Chinese Contemporary Collectors Exhibition, Qiao Space | |
| 2017 | Art and China after 1989: Theatre of the World, Guggenheim Museum |
| (ed.) Filipovic, E., The Artist as Curator: An Anthology, Mousse Publishing / Koenig Books | |
| 2016 | Studio, Qiao Space |
| Xiangyan, L., Wuu Speech - Artists Living in Shanghai, Shanghai: China Art Museum | |
| Sense & Sensibility: 10 Contemporary Artists, Shanghai: ZJ Innopark | |
| Urbananatomy: Shanghai 2008, China Intercontinental Press | |
| Diehr, U., Steinemann, H., Art | Basel | Unlimited | 2008, China Intercontinental Press | |
| 2015 | Hudson, S., Painting Now, Thames & Hudson |
| Hong, P., Smith, K., About Painting Too, Shenzhen: OCAT Xi'an | |
| Target Choice: Chinese Contemporary Art Exhibition of Collectors, Target Magazine | |
| Hui, W., Yao, S., Traces: Xintiandi Contemporary Public Art Exhibition, Inlink China | |
| Smerling, W., Bezzola, T,. Ullrich, F., China 8: Contemporary Art from China at Rhine and Ruhr, Wienand Verlag | |
| Wenqing, S., Shanghai Ever, Shanghai: Museum of Contemporary Art | |
| 2014 | Ciric, B., A History of Exhibition: Shanghai 1979-2006, UK: Centre for Chinese Contemporary |
| Shaofeng, Y., 1960, Beijing: Springs Center of Art | |
| Huangsheng, W., Qinghui, C., Xiaoyan, G., Re-View, Long Museum West Bund | |
| Yan, G., Decorum: Carpets & Tapestries by Artists, Shanghai Literature and Art Publishing House | |
| Chuan, Z., Tao, H., Radical Art History Shaghai Chronicles in the 1980s, Shanghai Sanlian Bookstore | |
| ShanghART Taopu 2014, ShanghART | |
| 2013 | The 4th Changsha Exhibition Series, Hunan Fine Arts Publishing House |
| Art Basel Hong Kong 2013 | |
| Guobin, T., 2013 Art Changsha Ding Yi, Hunan Fine Arts Publishing House | |
| 2012 | 2xHelbling in Shanghai, IG Halle |
| Remembering JiangNan, Eye Level Art | |
| WEST BANK MUSEUM | |
| Ding, L., Yinghua Lu, C., Wei, S., The Seventh Shenzhen Sculpture Biennale | Accidental Message | Art is Not a System, Not a World, Ling Nan Art Publishing House | |
| Landscape in Mind | Public Art from China | |
| Fuesser, T., Short Cuts | Artists in China | |
| Andrews, C. A. and J. P., The Art of Modern China, University of California | |
| Creative M50 2012, Shanghai: M50 | |
| 2011 | Kunst in China - Sonderedition |
| Shanghai Art Fair 2011 | |
| The Ullens Collection - The Nascence of Avant-Garde China Evening Sale, Sotheby's | |
| Fu, L., Wang, Y., Strange Attractors, Yue, L., Waage, M., Chinese Abstract Slow Art | |
| Xu, L., The Future to Abstract Art, Hunan Fine Art Publishing House | |
| Image | History | Existence, Culture and Art Publishing House | |
| Art Basel Miami Beach 2011 | |
| Gladston, P., Contemporary Art in Shanghai: Conversation with Seven Chinese Artists, Blue Kingfisher Ltd. | |
| Smith, K., As Seen 1, Beijing World Publishing Corporation | |
| Levy, S., dsl collection: e-book and virtual museum, dsl collection | |
| 2010 | Peng, L., The Story of "Art" in China: from Late Qing Dynasty to Present, Peking University Press |
| Peng, L., Zhu, Z., Chienhui, G., Thirty Years of Adventures, Timezone 8 Limited | |
| Knight, M., Chan, D., Shanghai: Art of the City, USA: Asia Art Museum | |
| Juxing, H., Thirty Years of Chinese Contemporary Art 1979-2009, Minsheng Art Museum & Culture and Art Publishing House | |
| Schick, U., Out of Shanghai, Germany: Snoeck Verlagsgesellschaft mbH | |
| Ciric, B., History in Making 1979-2009: Artists Interviews & Works Archives, Shanghai People's Fine Arts Publishing House | |
| Mingguang, G., Reflection of Minds MOCA Shanghai Envisage III, MOCA Shanghai | |
| Mingguang, G., Tao of Nature, Shanghai: Museum of Contemporary Art | |
| 2009 | Ong, K., Art - Economies Beyond Pattern Recognition, Osage Gallery |
| Hadrien de Montferrand Gallery/Group Show, Hadrien de Montferrand Gallery | |
| Godfrey, T., Painting Today, Phaidon Press | |
| Ulrich Obrist, H., Hans Ulrich Obrist: The China Interview, Office for Discourse Engineering | |
| Yonglin, Z., Five Years in Duolun Chinese Contemporary Art Retrospective Exhibition: Duolun 5 Years, Shanghai: Duolun MoMA | |
| 2008 | Twenty Years of Chinese Contemporary Art, Osaka: National Museum of Art; Tokyo: The National Art Center; Aichi Prefectural Museum of Art; The Japan Foundation |
| Ciric, B., Rejected Collection, Charta | |
| Wenxing, W., China University Culture - 2008 Contemporary Art Exhibition, Shanghai: New B Gallery/MGS 99 Studio | |
| Ishihara, E., Zeit-Foto, Chinese Dream in Marunouchi: Chinese Contemporary Art Exhibition, Nippon Broadcasting System Koichi Miyamoto etc | |
| Hendrikse, C., Writing on the Wall: Chinese Realism and Avant-Garde in the Eighties and Nineties, Groninger Museum/Nai Publishers Rotterdam | |
| Vine, R., New China New Art, Prestel Publishing | |
| Quadrio, D., Spree, L., Xiaowen, Z., 40+4 Art is not enough | |
| Criticou, I., Muxia, S., Scourles, L., Material Links, Elix Paper Co. | |
| Sassoli de Bianchi, L., From Heaven to Earth: Chinese Contemporary Painting, Damiani | |
| 88 MoCCA: The Museum of Chinese Contemporary Art, 88 Art Ltd. | |
| Lei, L., Chinese and Japanese Contemporary Paintings from Zeit-Foto Collection, Shanghai Art Museum | |
| 2007 | Bowles, F., China Onward: The Estella Collection Chinese Contemporary Art, 1966-2006, Louisiana Museum of Modern Art |
| Galerie Urs Meile: Beijing - Lucerne 2007, Beijing: Galerie Urs Meile | |
| Shanghai Art Fair Committee, Shanghai Art Fair, Wenhui Publisher House | |
| Grosenick, U., Bepler, S., ShanghART 10 Years, Verlag der Buchhandlung Walther König | |
| Yongmei, Z., Xu, C., China International Gallery Exposition 2007, Beijing Chinese Art Exposition Media Co. Ltd. | |
| Dawei, F., 85 New Wave: The Birth of Chinese Contemporary Art, Shanghai Century Publishing Group | |
| Tinari, P., CIampi, M., Artists in China, USA: Verba Volant Ltd. | |
| Bing, L., 1997-2007 Awakening from a Ten-Year Long Sleep, H J Y Art Center | |
| 2006 | Contemporary China, Seoul: PKM GAllery |
| KUNSTFORUM International Bd. 183, 12/06-02/07 | |
| Dian, T., China! New Art & Artists, Atglen: Schiffer Publishing | |
| Dian, F., Ying, Y., National Art Museum of China, The blossoming of realism: The oil painting of mainland China since 1978, Taiwan: Taipei Fine Arts Museum | |
| Hong, L., China Avant-Garde 1979-2004, Shijazhuang: Hebei Fine Arts Publisher | |
| Hong, L., Zhenhua, S., China performance art, Shijazhuang: Hebei Fine Arts Publisher | |
| Instants: 1st Exhibition of Left Right Art Zone | |
| Lin, W., Witnis, Chengdu: Blue Dreamland Gallery | |
| Fangzhou, L., Z-art Center Opening Exhibition, Z-art Center | |
| Suzuki, R., Otsuka, K., Nomura, N., The Chinese Contemporary, Japan: Zeit-Foto Co. Ltd | |
| Quadrio, D., Try Try Look: BizArt 2004-2006, Shanghai: BizArt | |
| Zengxian, F., Jiang, X., Shanghai Biennale 2006: HyperDesign, Shanghai: Shanghai Fine Arts Pubilisher | |
| Kim, S., Lu, V., Yongqing, Y., Moca, S., Entry gate: Chinese aesthetics of heterogeneity, 2006 MoCA envisage, Shanghai: Shanghai Fine Arts Publisher | |
| Kung, S., Art in motion, Shanghai: Shanghai Fine Arts Publisher | |
| Wenxing, W., Shanghai College Culture, Shanghai: Shanghai Haichang Culture Communication Co. Ltd. | |
| 2005 | Jinmei, L., JInghan, L., Ling, W., Shanghai Gallery of Art 2005, Shanghai: Shanghai Gallery of Art |
| Birnie Danzker, J. A., Lum, K., Shengtian, Z., Shanghai MOdern 1919-1945, Museum Villa Stuck/Hatje Cantz | |
| Fibicher, B., Frehner, M., Mahjong: Contemporary Chinese Art from the Sigg Collection, Ostfildern-Ruit: Germany: Hatje Cantz Verlag | |
| Hongyan, X., Getting to Known Suzhou Creek Artists, Shanghai: Shanghai People Publishing | |
| Born in China, London: Goedhuis Contemporary | |
| Minglu, G., The Portraits of 100 Most Influential Artist in Contemporary Chinese Art, Wuhan: Hubei Fine Arts Publishing | |
| Reveal, Shanghai: AoTuKu | |
| Xiangyang, L., Wei, P., Alien Illusion, Shanghai: Shanghai Art Museum | |
| Art & Issue: China-Korea Art Exchange Exhibition, Beijing: Soka Contemporary Space | |
| 2004 | Yuqi, H., Song, Z., Left Bank of the Seine of the East: The Art Warehouses of Suzhou Creek, Shanghai: Shanghai Antique Publishing House |
| Melbourne Art Fair 2004, Australia: Melbourne Art Fair Foundation Ltd. | |
| Werke der Sammlung Novartis, Novartis | |
| Steinemann, H., Diehr, U., Art|35|Basel, Germany: Hatje Cantz Verlag | |
| Jiemin, W., Juelin, Y., Artists' Studios Along the Suzhou Creek, Hong Kong: Yusi Publishing | |
| Ying, Y., From Hero Lauds to the Earthly World, Beijing: China Renmin University Press | |
| The Phoenix Valley, Hopeland: Artist's Will, Beijing: China Renmin University Press | |
| Xiangyang, L., Dreaming of the Dragon's Nation: Contemporary Art Exhibition from China, Shanghai Art Museum/Irish Museum of Modern Art | |
| Yang, Y., Tang, X., New Boundaries, Beijing: Taikang Top Space | |
| Nuridsany, M., China Art Now: Photography by Marc Domage, Paris: Flammarion | |
| 2003 | Xianting, L., Maia de Pablos, A., Decrop, J. M., Subversion and Poetry: Contemporary Chinese Art, Lisbon: Culturgest |
| Zhenqing, G,. Open Sky: Contemporary Art Exhibition, Shanghai: Shanghai Duolun Museum of Modern Art | |
| Take a Seat, Shanghai: Artsea Studio & Gallery, Hong Kong: Chinese People University Press | |
| Zhijie, Q., Series of Critiques on Chinese Contemporary Art: Give Me a Mask, | |
| Minglu, G., Chinese Maximalism, Chongqing: Chongqing Publishing House | |
| Xianting, L., Prayer Beads and Brush Strokes, Beijing: Beijing Tokyo Art Projects | |
| Steinemann, H., Diehr, U., Art|34|Basel, Germany: Hatje Cantz Verlad | |
| 2002 | Schwabsky, B., Breuvart, V., Vitamin P: New Perspectives in Painting, New York, USA: Phaidon Press |
| Xu, L., Metaphysics 2002: Shanghai Abstract Art Exhibition, Shanghai: Shanghai Art Museum | |
| Decrop, J. M., Smith, K., et al., ed. Decrop, J. M., China: Contemporary Art, Sao Paulo: Fundacao Armando Alvares Penteado - FAAP | |
| Goedhuis, M., On the Edge of the Millennium: New Art from China, London: Goedhuis Contemporary | |
| Wallace, K., Yishu: Journal of Contemporary Chinese Art, Vol. 1, No. 3, Taiwan: Art & Collection Group | |
| Berry, C., Erickson, B., Ying, Y., Li, P., et al., ed. Hung, W., The First Guangzhou Triennial - Reinterpretation: A Decade of Experimental Chinese Art 1990-2000 (Chinese version), Macao: Macao Publishing House | |
| Weiwei, A., Qing, Z., Ping, W., Jianping, Z., JunctionL Architectural Experiment of Chinese Contemporary Art, Beijing: China Architecture & Building Press | |
| Xiaoming, D., Interviews and Conversations with Contemporary Chinese Artists, Changsha: Hunan Fine Arts Publication | |
| Chang, J. T., et al., eds. Acret, S., Hsu, C., et al., Paris-Pekin, Hong Kong: Asia Art Archive, France: Chinese Century | |
| Qing, Z., The First Triennale of Chinese Arts I, Hubei: Hubei Fine Art Publishing House | |
| 2001 | Off Triennale, Japan: Zeit-Foto Co., Ltd |
| Barme, G. R., Chang, J. T., China's New Art, Post-1989, Hong Kong: The Asia Art Archive | |
| Zhenqing, G., Chengdu Biennale 2001, China: Sichuan Fine Arts Publishing House | |
| Dian, F., Knapstein, G., Yang, M. K., Living in Time: 29 Zeitgenossische Kunstler aus China, Berlin: Staatliche Museen zu Berlin/PreuBischer Kulturbesitz | |
| Frydman, J., Nuridsany, M., Next Generation/Art Contemporain D'Asie, Paris: Michel Nuridsany/Passage de Retz | |
| Xianting, L., Dian, F., Huang, Z., Zhuang, L., et al., Towards a New Image: Twenty Years of Contemporary Chinese Painting, Beijing: Beijing Contemporary Visual Art Development | |
| Kohmoto, S., Nakamura, N., Nanjo, F., et al., eds. Kaori, M., Yutaka, M., Yokohama Triennale Office, Yokohama 2001: International Triennale of Contemporary Art, Japan: The Organising Committee for Yokohama Triennale | |
| Xu, L., Metaphysics 2001: Shanghai Abstract Art Exhibition, Shanghai: Shanghai Art Museum | |
| 2000 | Walsh, J., Walsh, R., Shanghai 2000, Chicago, USA: Walsh Gallery |
| Peng, L., 90's Art China, Changsha: Hunan Fine Art Publishing House | |
| Weiwei, A, Boyi, F., Fuck Off, Shanghai | |
| Lin, L., It's Me!, China: The Publishing House of the China Literary Federation | |
| Clark, J., Chinese Art at the End of the Millenium, Hong Kong: New Art Media Limited | |
| 1999 | Clark, J., Van Dijk, H., Modern Chinese Art Foundation, Belgium: Provincie Oost-Vlaanderen |
| Oevlisen, M., Stelzner, A., Novo Nordisk China: A Challenging Place To Work, Shanghai: ShanghART Gallery | |
| Qing, Y., Approaching Lands | |
| Xianting, L., Kember, P., Chinese-art .com, Volume 2 Issue 2 | |
| 1998 | Bull, H., Jiangnan: Modern and Contemporary Art from South of the Yangzi River, Vancouver: The Western Front/Annie Wong Art Foundation |
| Watkins, J., Spark, J., Every Day: 11th Biennale of Sydney, Sydney: The Biennale of Sydney Ltd. | |
| Fang, H., Wei, Z., Mondrian in China: A documentary exhibition with Chinese originals | |
| 1997 | Yong-Doug, S., So-Hee, K., A Point of Contact. Korean Chinese Japanese Contemporary Art, Taegu Art/Culture Hall |
| Originality Gather, Hong Kong: Hong Kong Trade Development Council | |
| Escher, J., Kielstr M., Platform 1: 70 Young Modern Artists from Asia and Latin America, Amsterdam: Canvas Foundation | |
| Dawei, F., In Between Limits, South Korea: Sonje Museum of Contemporary Art | |
| Chang, J. T., et al., Quotation Marks: Chinese Contemporary Paintings, Singapore: The Singapore Art Museum | |
| 1996 | Ronte, D., Smerling, W., Weiss, E., China! Zeitgenossische Malerei, Germany: Kunstmuseum Bonn |
| Reality: Present and Future, Beijing: Art Gallery of Beijing International Art Palace | |
| Bull, H., Yi, D., Yong, S., Tiehai, Z., Shanghai Fax: Let's Talk About Money, Shanghai: Hua SHan Fine Arts College | |
| Zhirong, H., Shanghai Biennale 1996, Shanghai: Shanghai Art Museum | |
| 1995 | Xiaojun, Z., Weiwei, A., Bing, X., China Beijing?, 1995 Vol. 2 |
| Chinese Oil Painting, Tinajin: TIanjin People's Fine Art Publishing Society | |
| Cahill, J., et al., History of Chinese Oil Painting: From Realism to Post-Modernism, Hong Kong: Schoeni Art Gallery | |
| Shixiong, W., Year Record of Chinese Art Collection | |
| 1993 | Noth. J, Pohlmann, W. and Reschke, K., China Avant-Garde: Counter-Currents in Art and Culture, Hong Kong: Oxford University Press |
| China's New Art, Post-1989, Hong Kong: Hanart TZ Gallery | |
| China Avantgarde, Braus | |
| Turner, C., First Asia-Pacific Triennial of Contemporary Art, Australia: Queensland Art Gallery | |
| Barme, G. R., Chang, J. T., et al., Mao Goes Pop: China Post-1989, Sydney: Museum of Contemporary Art | |
| Carroll, A., Chang, J. T., et al., Art and ASia Pacific (1993), Sydney: Fine Arts Press |
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