Located in the Pfaffenwinkel region near the village of Polling in Upper Bavaria, Germany, the hall sits in an open agricultural field near the River Ammer. It functions both as an evolving archive of modern art and as a symbol of international solidarity.

For her contribution, Adams draws inspiration from architecture, ceramics, and textiles, ranging from richly patterned Moroccan carpets to the ornate tiles of the Alhambra. Through her deliberate use of colour and form, she creates compositions that evoke rhythm, energy, and movement. In this context, her intervention extends her distinctive visual language into three dimensions, transforming painting into structure and surface into spatial experience.